Production
Abrahadabra was in production for eleven months.[14] Silenoz explained that the growing periods of time between albums was because the band had stopped writing music while touring, which was affecting the quality of the music. He described the new album as having an "eerie and haunting feel to it," adding that the material is "epic," "primal," atmospheric and ambient. A promotional image released with the statement showed Shagrath returning to the keyboards.[15] The album features an ensemble orchestra, the Kringkastingsorkestret (the Norwegian Radio Orchestra), as well as the Schola Cantorum choir, totaling more than 100 musicians and singers.[16]
Gaute Storaas, composer of the orchestral arrangements, released a statement on his role in working on the album. “Their music is epic, thematic and symphonic already from the creation; they are clearly having an orchestral approach to composing. My role in this is sometimes just to transcribe their themes, sometimes to take their ideas, tear them apart and build them back up in ways that are true to the band's intentions. The music must also be both interesting and playable for the musicians, and hopefully, meet the quality standards of the orchestral world.”.[16]
[edit] Title and artwork
"Abrahadabra", loosely translated as "I will create as I speak", was created by author Aleister Crowley in his work, Liber AL vel Legis, or The Book of the Law. This album is the second in the band's repertoire to deviate from the traditional three-word title. Silenoz explained, "[It made] a lot of sense for us to move on from that. It has served its purpose. We are a band that's all about change and moving forward. An album title consisting of one word goes hand-in-hand with the new material." In addition, Silenoz referenced the changes in the band's "musical and lyrical content", as well as changes in the band's line-up playing a role.[14]
The album cover artwork was designed by Joachim Luetke, who described the artwork's setting as "icy, bleak, wintery, [and] post-industrial". Luetke added that the central figure's mask on the cover is representative of H. P. Lovecraft's Elder Gods. "The mask/face personifies dominion of powers far beyond mankind. The nameless gods witnessed the birth of our universe and they'll watch it implode. To them, the age of mankind is but a blink of an eye."[14]
After the release of the album, the band announced that all future pressings would carry a different album cover.[17]
[edit] Musical style
As stated by guitarists, Silenoz and Galder, in an interview with Outune.net, the album presents musical influences reminiscent of Puritanical Euphoric Misanthropia and Death Cult Armageddon, with more emphasis on orchestral arrangements.[18]
[edit] Lyrical content
The album's lyrics are a notable departure from the usual style that Dimmu Borgir implements. Songs contain subjects that deal with redemption, power, rebirth, and astral planes among other, more vague, concepts. Rather than focus on ideas that are often panned as Satanic and offensive, the band has instead opted to use more worldly and open matters.
[edit] Personnel
[edit] Band members
* Shagrath – lead vocals, keyboards, effects
* Silenoz – rhythm guitar, backing vocals
* Galder – lead guitar, backing vocals
[edit] Session members
* Snowy Shaw - bass guitar, backing vocals, clean vocals (on tracks 4, 6, 9 & "Perfect Strangers" (Deep Purple cover))
* Daray - drums, percussion[19]
[edit] Guests
* Agnete Kjølsrud (ex-Animal Alpha, Djerv) - female vocals (on tracks 3 & 10)
* Garm - clean vocals (on track 10)
* Andy Sneap - leads (on tracks 3 & 9)
* Ricky Black - slide guitar (on track 10)
* Orchestration and choir arranged by Gaute Storås and conducted by Rune Halvorsen
* Recorded with the Norwegian Radio Orchestra
* Schola Cantorum - choir
[edit] Technical staff
* Mixed by Andy Sneap and Dimmu Borgir
* Mastered by Andy Sneap, Russ Russell and Dimmu Borgir
* Engineered by Daniel Bergstrand, Russ Russell and Shagrath
* Joachim Luetke - cover art
Abrahadabra was in production for eleven months.[14] Silenoz explained that the growing periods of time between albums was because the band had stopped writing music while touring, which was affecting the quality of the music. He described the new album as having an "eerie and haunting feel to it," adding that the material is "epic," "primal," atmospheric and ambient. A promotional image released with the statement showed Shagrath returning to the keyboards.[15] The album features an ensemble orchestra, the Kringkastingsorkestret (the Norwegian Radio Orchestra), as well as the Schola Cantorum choir, totaling more than 100 musicians and singers.[16]
Gaute Storaas, composer of the orchestral arrangements, released a statement on his role in working on the album. “Their music is epic, thematic and symphonic already from the creation; they are clearly having an orchestral approach to composing. My role in this is sometimes just to transcribe their themes, sometimes to take their ideas, tear them apart and build them back up in ways that are true to the band's intentions. The music must also be both interesting and playable for the musicians, and hopefully, meet the quality standards of the orchestral world.”.[16]
[edit] Title and artwork
"Abrahadabra", loosely translated as "I will create as I speak", was created by author Aleister Crowley in his work, Liber AL vel Legis, or The Book of the Law. This album is the second in the band's repertoire to deviate from the traditional three-word title. Silenoz explained, "[It made] a lot of sense for us to move on from that. It has served its purpose. We are a band that's all about change and moving forward. An album title consisting of one word goes hand-in-hand with the new material." In addition, Silenoz referenced the changes in the band's "musical and lyrical content", as well as changes in the band's line-up playing a role.[14]
The album cover artwork was designed by Joachim Luetke, who described the artwork's setting as "icy, bleak, wintery, [and] post-industrial". Luetke added that the central figure's mask on the cover is representative of H. P. Lovecraft's Elder Gods. "The mask/face personifies dominion of powers far beyond mankind. The nameless gods witnessed the birth of our universe and they'll watch it implode. To them, the age of mankind is but a blink of an eye."[14]
After the release of the album, the band announced that all future pressings would carry a different album cover.[17]
[edit] Musical style
As stated by guitarists, Silenoz and Galder, in an interview with Outune.net, the album presents musical influences reminiscent of Puritanical Euphoric Misanthropia and Death Cult Armageddon, with more emphasis on orchestral arrangements.[18]
[edit] Lyrical content
The album's lyrics are a notable departure from the usual style that Dimmu Borgir implements. Songs contain subjects that deal with redemption, power, rebirth, and astral planes among other, more vague, concepts. Rather than focus on ideas that are often panned as Satanic and offensive, the band has instead opted to use more worldly and open matters.
[edit] Personnel
[edit] Band members
* Shagrath – lead vocals, keyboards, effects
* Silenoz – rhythm guitar, backing vocals
* Galder – lead guitar, backing vocals
[edit] Session members
* Snowy Shaw - bass guitar, backing vocals, clean vocals (on tracks 4, 6, 9 & "Perfect Strangers" (Deep Purple cover))
* Daray - drums, percussion[19]
[edit] Guests
* Agnete Kjølsrud (ex-Animal Alpha, Djerv) - female vocals (on tracks 3 & 10)
* Garm - clean vocals (on track 10)
* Andy Sneap - leads (on tracks 3 & 9)
* Ricky Black - slide guitar (on track 10)
* Orchestration and choir arranged by Gaute Storås and conducted by Rune Halvorsen
* Recorded with the Norwegian Radio Orchestra
* Schola Cantorum - choir
[edit] Technical staff
* Mixed by Andy Sneap and Dimmu Borgir
* Mastered by Andy Sneap, Russ Russell and Dimmu Borgir
* Engineered by Daniel Bergstrand, Russ Russell and Shagrath
* Joachim Luetke - cover art
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