Production
Abrahadabra was in production for eleven months.[14] Silenoz explained that the growing periods of time between albums was because the band had stopped writing music while touring, which was affecting the quality of the music. He described the new album as having an "eerie and haunting feel to it," adding that the material is "epic," "primal," atmospheric and ambient. A promotional image released with the statement showed Shagrath returning to the keyboards.[15] The album features an ensemble orchestra, the Kringkastingsorkestret (the Norwegian Radio Orchestra), as well as the Schola Cantorum choir, totaling more than 100 musicians and singers.[16]
Gaute Storaas, composer of the orchestral arrangements, released a statement on his role in working on the album. “Their music is epic, thematic and symphonic already from the creation; they are clearly having an orchestral approach to composing. My role in this is sometimes just to transcribe their themes, sometimes to take their ideas, tear them apart and build them back up in ways that are true to the band's intentions. The music must also be both interesting and playable for the musicians, and hopefully, meet the quality standards of the orchestral world.”.[16]
[edit] Title and artwork
Abrahadabra was in production for eleven months.[14] Silenoz explained that the growing periods of time between albums was because the band had stopped writing music while touring, which was affecting the quality of the music. He described the new album as having an "eerie and haunting feel to it," adding that the material is "epic," "primal," atmospheric and ambient. A promotional image released with the statement showed Shagrath returning to the keyboards.[15] The album features an ensemble orchestra, the Kringkastingsorkestret (the Norwegian Radio Orchestra), as well as the Schola Cantorum choir, totaling more than 100 musicians and singers.[16]
Gaute Storaas, composer of the orchestral arrangements, released a statement on his role in working on the album. “Their music is epic, thematic and symphonic already from the creation; they are clearly having an orchestral approach to composing. My role in this is sometimes just to transcribe their themes, sometimes to take their ideas, tear them apart and build them back up in ways that are true to the band's intentions. The music must also be both interesting and playable for the musicians, and hopefully, meet the quality standards of the orchestral world.”.[16]
[edit] Title and artwork